Here you can toggle between each one to easily shift the tonal balance of the compressor.
Switchable output transformers for sonic varietyįurther tonal character can be built with the three unique Output Transformers. In the VCA Discrete section you have a more exacting control over the ratio, attack and release settings, which easily allows you to fine-tune the compression response to fit a large variety of material. With this section you can easily shape your dynamic range and bring up the overall level. One of the key things you can do with the Shadow Hills Mastering Compressor is treat your signals with dual-stage compression, dialing in compression either through the Optical or the Discrete sections - use both for maximum musicality! In the Optical section you will find the traditional Threshold and Gain settings, with a two-stage release time that is similar to the one you find on an LA-2A. It’s no wonder that it has been the go-to buss compressor on timeless records by Radiohead, Foo Fighters, Beck, Green Day, Coldplay and countless others.ĭual compression sections for unprecedented dynamic control A well known staple in the industry, the Shadow Hills compressor easily tames even the most unruly and chaotic transients with flawless tone and control. Meticulously modeled by Brainworx after the legendary hardware, no details have been spared when crafting the digital version of one of the most musical and versatile compressors out there. We are thrilled to welcome to the Alliance the godfather of dynamics control, the Shadow Hills Mastering Compressor. NEW: Enhanced by Brainworx with added External Sidechain, adjustable Internal Sidechain Filters and onboard parallel Mix (Dry/Wet) capabilities.
For the first time, the supreme tycoon of compression and all its power is available in all major native formats.
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